Harris Palm Island Plantation
The other angle on the room from the other day. Working left to right. VIV 285 in corner .... a tad hot but only a photographer will really know that - plus I could crop a little there so not to worry. AB 1600 over my shoulder shoot thru brolly - just to my left. AB 1600 closed brolly like a stick pointed along the wall and jammed into the crown molding to my right. VIV 285 - to the left of that entry left is the bedroom with a door. I pulled the door half shut and put a VIV 285 in front of it fired right into it at 180 degrees about chest height. I knew there would be a shadow from the upper door frame but wanted a wash in that area and hoped the shadow would be a part of the wash rather than an obvious blunder. Not unhappy with the result. I have really stepped up my workflow even with using monolights - a lot of that has come from things I have learned here. That includes what real est
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Harris Palm Island Plantation
 
The other angle on the room from the other day. Working left to right. VIV 285 in corner .... a tad hot but only a photographer will really know that - plus I could crop a little there so not to worry. AB 1600 over my shoulder shoot thru brolly - just to my left. AB 1600 closed brolly like a stick pointed along the wall and jammed into the crown molding to my right. VIV 285 - to the left of that entry left is the bedroom with a door. I pulled the door half shut and put a VIV 285 in front of it fired right into it at 180 degrees about chest height. I knew there would be a shadow from the upper door frame but wanted a wash in that area and hoped the shadow would be a part of the wash rather than an obvious blunder. Not unhappy with the result. I have really stepped up my workflow even with using monolights - a lot of that has come from things I have learned here. That includes what real est
 
 
 
 
 
 
 
 
 
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